Ghosting the Machine

A Shared Ecologies Workshop by Sahej Rahal

Participants

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Payal Arya

Payal creates site specific and immersive installations that people inhabit blurring the parameters of the room. She explores the concept of nonlinear time and notions of distance, position, and bodily tolerance, to rethink what it means to have agency.

Payal Arya graduated with a BA degree in Psychology and Sociology from Bombay University, 2014, BFA from Rachana Sansad, Bombay, 2013, MFA degree from Shiv Nadar University, Delhi, 2016. She currently is an Assistant Lecturer at Jindal Global University and teaches in the BFA department.

Her exhibitions include ‘When No one is Looking’, Kala Ghoda festival, Bombay, 2013 and her master’s degree show‘ At dusk the sky had turned Violet’, Kiran Nadar Museum of Art, Delhi, 2016. Group shows include ‘Minute per Image’, TIFA, Pune, 2017 collateral to the Pune Biennale, 'Regimes of Truth' at Gati Dance Forum, Delhi, 2018, 'Saavdhaan: The Regimes of Truth' Kalakar Theatre, Delhi, 2018, 'The Future is Here' Bajaj Bhavan, Mumbai, 2019, In search of new names” at Experimenter Viewing room, Kolkata, ‘Immerse’ group show by Carpe Arte in Mumbai, 2022. “Internalising a city” at VHC Gallery, Pune.

Sayak Shome

Sayak Shome, born on July 28, 1990, is an interdisciplinary artist from Durgapur, West Bengal, India. He has a BTech degree in Electronics and Communications engineering from the West Bengal University of Technology, India and an MFA degree from the University of Cincinnati, US, where he learned about interdisciplinary art practices/theories. His work there has been part of several exhibitions or performances, in places such as the Contemporary Art Center, Cincinnati, The Carnegie, Covington and the University of Georgia, Athens in the US, to name a few. He has also taught multiple Art and Filmmaking undergraduate courses in the US, before his student visa ran out. He likes exploring and thinking about the di/in-gestion of stimuli across the digital-real divide/multi(ap)plication. He sometimes presents his observations, experiments or imaginations in the form of digital files, codes, objects, projections or installations. The idea of oceans(of data) being held in glasses(servers) amuses him. If someday all the digitals were to be made material, would it completely (land)fill up the planet, he wonders. When one becomes a flickering hologram, perpetually displaced across the digital real estate, where time is archived in such a way that existence is atemporal, how do they metamorphose?

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